Silent grief, 1923
With the artists studiostamp on de reverse
Oil on canvas
90 x 100 cm.
Provenance:
The estate of the artist.
Literature:
Upon request.
Reclining Buddha, 1923
With the artists studiostamp on de reverse
Oil on canvas
50 x 60 cm.
Provenance:
Estate of the artist.
Literature:
On request.
The first humam couple
With the artists studiostamp on the reverse
Oil on canvas
50 x 40 cm.
Provenance:
Estate of the artist.
Cockfight, Bali, 1922
With the artists studiostamp on de reverse
Watercolour on paper
52,5 x 43,5 cm.
Provenance:
Estate of the artist.
Literature:
Upon request.
Stern of a bowinese vessel, Semarang, 1898
Signed with the artist initials, dated and with location lower right
Ink on paper
21,2 x 17,5 cm.
Provenance:
Estate of the artist.
Literature:
Upon request.
Temple in Singaradja, Bali, 1906
Signed with the artists initials and with location lower left and dated lower right
Pencil, ink and watercolour on paper
19,8 x 18,9 cm.
Provenance:
Estate of the artist.
Literature:
Upon request.
Signed with the artists initials, dated and with location lower left
Pencil, ink and watercolour on paper
27,2 x 35,7 cm.
Provenance:
Estate of the artist.
Literature:
upon request.
Man from the outback of Soemba, Waingapoe, 1918
Signed and dated on the lower side of the drawing
Black chalk and ink on paper
46,5 x 39 cm.
Provenance:
Estate of the artist.
Literature:
upon request.
Koesi Booibana, district chief of Kaoeniki Fatoe Leoe, 1918
Signed with the artists initials and dated lower left
Black chalk and ink on paper
21,5 x 21,5 cm.
Provenance:
Estate of the artist.
Literature:
upon request.
Entrance of a temple of Poera Pasek, Kloengkoeng, 1918
Signed with the artists initials, dated and with location lower middle
Charcoal, ink and watercolour on paper
30 x 38 cm.
Provenance:
Estate of the artist.
Pamegatan, Garut, near Bandoeng, Java, 1919
Signed with initials lower left
Pencil and ink on paper
52,5 x 45,4 cm.
Provenance:
Estate of the artist.
To the Market, Bali, 1937
Signed with the artists initials, dated and with location lower right
Charcoal and ink on paper
37,5 x 33,8 cm.
Provenance:
Estate of the artist.
Literature:
on request.
Gowah Lawah bat cave temple, Bali, 1937
Signed with the artists initials lower right and dated lower left
Pencil, ink and watercolour on paper
47 x 41,6 cm.
Provenance:
Estate of the artist.
Landscape with Boroboedoertemple, 1937
Signed with the artists initials and dated lower left
Ink on paper
16,6 x 25,9 cm.
Provenance:
Estate of the artist.
Betje de Poorte, Veere, 1901
With the artists studiostamp on de reverse
Pencil on paper
15,7 x 11,4 cm.
Provenance:
Estate of the artist.
Literature:
On request.
Wijnand
Otto Jan Nieuwenkamp was born in Amsterdam in 1874. He was a multitalented
artist. He was a painter, draftsman, graphic artist, architect, writer and
ethnographer. He married his rich niece, Anna Wilbrink, in 1898. this allowed
him to travel with his boat - The Wanderer - in which his studio was
established.
Because
of his financial situation he could travel even more and further. Nieuwenkamp
was the first western artist on Bali and Lombok. He also travelled to other
Indonesian islands, Egypt, India and Italy. The main part of his work is
inspired by his travels. In 1920 he moved to Italy and bought a villa near
Florence. He lived here until his death in 1950.